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AI Six Podcast Episode 68: Cloned Voices and Contract Clauses: Who Owns You on Air?

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As AI technology becomes more advanced, radio stations and presenters are being forced to confront a new reality: your voice can now be clonedโ€”and possibly used without you. In this episode, we explore one of the most pressing topics from Radio Days Ireland: how cloned voices are reshaping talent contracts and raising ethical and legal questions across the industry.

With expert insight from James Cridland (Podnews), Glenn Mulcahy (Titanium Media), and me, this episode unpacks where the boundaries lie between convenience, creativity, and consent.

AI Voice Cloning: A Broadcasting Breakthrough or a Legal Grey Area?

Voice cloning is already in use. Some radio networksโ€”like those in the US and Australiaโ€”are experimenting with AI-cloned voices of their talent to deliver:

  • Localised traffic updates
  • Weather forecasts
  • Promo reads

In some cases, cloned voices are deployed across dozens of stations, raising the question: when a voice can be replicated, what happens to the presenter behind it?

Who Owns Your Voice?

As James Cridland explained, this isnโ€™t a black-and-white issue. Using a cloned voice to deliver a time-sensitive weather update when the talent is unavailable might make sense. But replacing talent wholesale with AI? Thatโ€™s another matter entirely.

Expect this issue to become a bargaining chip in future talent negotiations. Clauses about voice ownership, reproduction rights, and ethical use will become essential to protect on-air talent from being silently sidelined by their digital double.

Legal and Ethical Lines Are Blurring

Glenn Mulcahy pointed out that without clear guidelines, the risks are high. AI-generated content can easily breach trust if listeners arenโ€™t told what’s real and whatโ€™s synthetic.

His warning: โ€œDonโ€™t let a PR disaster be your policy.โ€ Itโ€™s critical to develop and communicate your stationโ€™s stance on AI useโ€”before you need it.

Joanne Sweeney added that transparency and explainability are non-negotiables. If AI is involved in creating content, especially editorial content, audiences need to know. And talent needs legal protection.

Building an AI-Ready Contract

So what does a futureproof talent contract look like?

  • โœ… Clear ownership clauses for voice, likeness, and content
  • โœ… Guidelines for when and how AI versions of talent can be used
  • โœ… Approval chains before AI content is aired
  • โœ… Transparent attribution if AI was involved

These are the kinds of clauses now being added to contracts by forward-thinking broadcastersโ€”and they may soon be standard across the industry.


About the Podcast Host

Joanne Sweeney is a specialist in public-sector marketing and digital communications. Sheโ€™s the author of Public Sector Marketing Pro and the creator of the Professional Diploma in AI for Public Sector Marketing. With years of experience in training, consulting, and advocating for digital transformation, Joanne provides insight and guidance for government agencies navigating the digital landscape. She is also the host of the award-winning Public Sector Marketing Show podcast.

Connect with Joanne on LinkedIn.

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